Here is the High Voltage NEQ, it’s going to market very soon; and this is an exclusive first look at what I consider to be one of the best new analog mastering EQ’s to go to market;

Most recently I’ve been leaving breadcrumbs over my instagram of using iZotope RX Audio Editor for advanced mastering applications; and I’ve had several engineers and producers hit me up for one-on-ones to teach them my workflow with the RX Suite. And I figured; whilst I’d love to jump on calls with each of them to discuss my RX workflow; I can provide a more comprehensive, in depth and detailed look at my start to end process with RX Audio editor at my mastering studio here on YouTube;

My new mastering converters; Dangerous Music Convert-AD+

8 Months ago; I put out a video on FabFilter Pro-L2 and how I used it… only to learn that I had being lied to this whole time 2 Month’s ago; I learnt how the attack parameter worked as a gate for clipping with some of the limiting modes and now today I’m going to the challenge of decoding all of the operable parameters in FabFilter pro-l 2 for you!

I want to challenge myself to look at this with as little bias as possible; as I want to continue challenging and developing my understanding of how I approach audio and mastering

Digital 0; the bane of most producer’s existence; we want it louder; but no; we can’t go past 0 we can’t go “one-more”…

I want to challenge myself to look at this with as little bias as possible; as I want to continue challenging and developing my understanding of how I approach audio and mastering

I want to challenge myself to look at this with as little bias as possible; as I want to continue challenging and developing my understanding of how I approach audio and mastering

I want to challenge myself to look at this with as little bias as possible; as I want to continue challenging and developing my understanding of how I approach audio and mastering

I want to challenge myself to look at this with as little bias as possible; as I want to continue challenging and developing my understanding of how I approach audio and mastering

I want to challenge myself to look at this with as little bias as possible; as I want to continue challenging and developing my understanding of how I approach audio and mastering

I want to challenge myself to look at this with as little bias as possible; as I want to continue challenging and developing my understanding of how I approach audio and mastering

As a craftsperson, my journey is EVER evolving; learning new techniques; approaches, and developing my understanding of how to make a great sounding mix; every few years; I find the template which I'm using begins to outdate itself from where and how I've developed my knowledge; which means rebuilding a new template to suit a new workflow;

As a craftsperson, my journey is EVER evolving; learning new techniques; approaches, and developing my understanding of how to make a great sounding mix; every few years; I find the template which I'm using begins to outdate itself from where and how I've developed my knowledge; which means rebuilding a new template to suit a new workflow;

As a craftsperson, my journey is EVER evolving; learning new techniques; approaches, and developing my understanding of how to make a great sounding mix; every few years; I find the template which I'm using begins to outdate itself from where and how I've developed my knowledge; which means rebuilding a new template to suit a new workflow;